Arts Programme

Following the closure of Londonewcastles original project space in Shoreditch, after a successful eight years, the new and more intimate Gallery 46 has opened in Summer 2016.

 

We started our Arts Programme because we’re passionate about more than just property. Our aim: to bring London’s creative community and its vacant spaces together, giving new artists a place to showcase their work. If you are interested in exhibiting, please contact: info@londonewcastle.co.uk - Follow the Arts Programme by liking our Facebook page.
LN AD BEATRICE BROWN FINAL VERSION 997x662 - BEATRICE BROWN at Gallery 46

BEATRICE BROWN at Gallery 46

Produced on her kitchen table while her children slept, Beatrice Brown’s drawings are a...
LN Gallery46 27 09 2016 LowRes 11 580x326 - Gallery 46 - Whitechapel

Gallery 46 – Whitechapel

46 Ashfield Street, London, E1 2AJ

Gallery 46 in Whitechapel is our new sister gallery to be used as Londonewcastle Project Space. The new space, established through the partnership of Martin J Tickner and Sean McLusky and Fruitmachine founders, Martin Bell & Wai Hung Young breaks fresh ground for the open-source, non-conformist curatorial approach Tickner and McLusky employed at their (rightly) notorious MEN Gallery, in Shoreditch.Housed in a pair of newly renovated Georgian houses in the grounds of Whitechapel Hospital, GALLERY 46 is set over 3 floors and 8 rooms and is a kaleidoscopic addition to Whitechapel’s burgeoning gallery scene and close by its artistic...

img 580x326 - Street Art Programme

Street Art Programme

Shoreditch, London

Our Street Art Programme is about turning over large canvases on buildings under our control – during planning and development – to artists, from the internationally renowned to the completely unknown. If you’d like Londonewcastle to showcase your work, contact us...

Reverie

04 Oct - 13 Oct 2012

In his second solo exhibition **Reverie**, celebrated artist Chris Moon invites the viewer to explore his psychological dreamtime – a twilight world of illusion and perception that offers a unique glimpse into his creative process via a radical celebration of paint and its transformative power.

This exploration encourages us to question how we might consider a final painting differently if only we could examine the source material, see the stimuli, and extrapolate the painter’s emotional and technical perspective. 

Moon bravely and honestly unveils and de-mystifies an artist’s working process, taking the viewer on an emotional and enlightening voyage into the arena of his visions and dreams. Paint, the very lifeblood of his craft, gives him the power to produce incredible images of incandescent intensity. From original images to the final brushstroke Moon demands that we bear witness as his imagination takes flight. It is a journey without a definable end-point – an emotional dialogue if you will, between the self, the medium and the tool, to create new forms in a potentially infinite conceptual and physical process. 

The exhibition is housed in the vast white gallery spaces of [Londonewcastle Project Space][1] and the narrative begins with a series of initial images that could be mistaken for a box of snapshots. Nostalgic in feel, the show is a candid photo album translated into paint, capturing people, places, moments from the artist’s past and present. These paintings allow us to see what first inspires Moon and they compel us to follow him on this journey. 

The work can be biographical or arbitrarily taken from everyday stimuli, however the emotionally charged picture of his Mother from the 1970s and the sleeping sun-bathing stranger merit special mention. In all his paintings, Moon’s technique and brushwork are assured and his use of the paint is a delight as his hand and brush seem to dance to the power of his imagination. 

To each of these sources of inspiration he applies the same process to create an interplay that draws history and memory into the abstracted present. Moon deftly re-invents the original image or scene skilfully using subtle explosions of colour to illustrate the journey from conception to completion.

Some of the artist’s largest scale work to date is presented in the final room of the gallery, as the narrative descends into unadulterated daydream, providing an invitation to walk a path from reality into the arena of his dreams. 

**Chris Moon** 

Chris Moon is a self-taught East London-based outsider painter whose abstract work recalls the intensity of Francis Bacon in its stretching of anonymous human forms into the endless void of the canvas. However, although his work tips a nod to the mutilated beauty made famous by his forbear, he has simply come to the same visual conclusions via a personal process of destruction and reinvention.

In what he refers to as a quest for the containment of powerful emotion, Moon captures the uneasy, haunting chaos of shifting identity – inviting the viewer to see their own image in faceless, lonely figures that haunt the void of his landscapes.

Read reviews of Chris Moon's inaugural show on [Sabotage Times][3] and [AnOther][4].

[www.chrismoonart.com][5]

**John-Paul Pryor**

John-Paul Pryor is a writer, filmmaker and curator based in London. He is both former curator of The Dazed Gallery and Arts & Culture editor of Dazed & Confused online. He is currently contributing Arts Editor at AnOther Magazine and Editor-at-Large at Port Magazine. John-Paul has curated exhibitions at galleries internationally including The Dazed Gallery London and The GRN'Namdi Gallery, Chicago.

  [1]: http://londonewcastle.com/arts-programme/venues-and-initiatives/londonewcastle-project-space/
  [2]: http://www.anothermag.com/
  [3]: http://www.sabotagetimes.com/people/chris-moon-great-new-artist/
  [4]: http://www.anothermag.com/current/view/1439/Chris_Moon
  [5]: http://www.chrismoonart.com