Arts Programme

Following the closure of Londonewcastles original project space in Shoreditch, after a successful eight years, the new and more intimate Gallery 46 has opened in Summer 2016.

 

We started our Arts Programme because we’re passionate about more than just property. Our aim: to bring London’s creative community and its vacant spaces together, giving new artists a place to showcase their work. If you are interested in exhibiting, please contact: info@londonewcastle.co.uk - Follow the Arts Programme by liking our Facebook page.

BEATRICE BROWN at Gallery 46

Produced on her kitchen table while her children slept, Beatrice Brown’s drawings are a...

Gallery 46 – Whitechapel

46 Ashfield Street, London, E1 2AJ

Gallery 46 in Whitechapel is our new sister gallery to be used as Londonewcastle Project Space. The new space, established through the partnership of Martin J Tickner and Sean McLusky and Fruitmachine founders, Martin Bell & Wai Hung Young breaks fresh ground for the open-source, non-conformist curatorial approach Tickner and McLusky employed at their (rightly) notorious MEN Gallery, in Shoreditch.Housed in a pair of newly renovated Georgian houses in the grounds of Whitechapel Hospital, GALLERY 46 is set over 3 floors and 8 rooms and is a kaleidoscopic addition to Whitechapel’s burgeoning gallery scene and close by its artistic...

Street Art Programme

Shoreditch, London

Our Street Art Programme is about turning over large canvases on buildings under our control – during planning and development – to artists, from the internationally renowned to the completely unknown. If you’d like Londonewcastle to showcase your work, contact us...

Pejac – Law of the weakest

From miniature window drawings, striking site-specific interventions to elaborate replicas of classic masterpieces, Pejac is rightfully recruiting an army of fans and collectors with every new piece he makes. Taking clever twists on familiar images and skillfully reinventing the public space, Barcelona-based artist is touching sensitive social and environmental issues in a smart and poetic manner. The strength of his work and universal language comes from the right combination of admirable painting skills, original and effective concepts, and vast knowledge of classic art and popular culture.

When talking about Pejac, the key terms are “message” and “adaption”. No matter if he works on paper, canvas or in public, he has tremendous ability to adapt his work in order to pass a clear and powerful message. Whether drawing a map of the world draining into a sewer or painting a chilling take on iconic photograph of Buddhist monk burning himself, his art is provoking and critical, capable of stopping the observer in his tracks. In order to achieve such effect, he is using different visual languages, reaching for unconventional tools, or finding alternative ways to present the finished work.

Though truly skilled and capable of making remakes of classic masterpieces by Claude Monet, Eugène Delacroix, Katsushika Hokusai, or references to Lucio Fontana or Alberto Giacometti, Pejac feels comfortable minimizing his work to bare silhouettes or shadows when needed. The ability to touch different subjects and use vast range of different mediums, techniques, formats or styles, is what makes his works unique. The fact that he keeps his voice recognizable despite diverse variety of styles and concepts, is surely one of his biggest strengths, rarely seen in the art world.

As much as his approach is different when it comes to production, in order to keep the full control of his own work Pejacis the only source of both his editions and originals.